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一边裁员承压 一边半年狂赚数亿 AI短剧到底谁在赚钱?

翟元元 2026-06-15 13:36
翟元元 2026/06/15 13:36

邦小白快读

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本文梳理了当前AI短剧赛道的整体发展现状,明确了行业盈利格局,给普通读者呈现了清晰的行业全貌和入行参考。

1. 行业整体呈现贫富分化的格局:平台侧收入创新高,字节旗下AI工具Seedance单月收入达10亿元,国内AI短剧整体日投流消耗超2亿元,但90%以上的漫剧公司不赚钱,2026年第二季度AI短剧爆款率不足0.2%,99%以上作品播放量低于100万,抖音、红果调整分账规则后,多家头部、中型公司裁员,部分裁员比例近三分之一。

2. 明确的赚钱玩家与入行建议:字节实现IP、工具、投流全链路闭环,是行业最大赢家,头部制作、分销公司能稳定盈利,单部爆款也能带来超高收益,比如《菩提临世真人AI版》单日分销就能赚百万;头部玩家点众创始人建议,没有IP、剧本、懂AI审美的核心资源,不要轻易入局。

AI短剧作为新兴流量赛道,其行业格局和发展趋势,能给品牌营销布局提供明确参考。

1. 消费端流量基础充足:2026年第一季度全网AI剧/漫剧总播放量达1300亿,其中仿真人剧就有750亿,用户关注度极高,已经成为品牌内容营销、植入推广的新流量场景,具备较大营销潜力。

2. 行业合作参考:行业马太效应明显,头部玩家占据绝大多数流量和利润,头部投流消耗超5亿的公司仅有8家,品牌合作对接头部玩家能获得更稳定的曝光效果,效率更高。

3. 趋势与风险提示:目前国内市场增长遇瓶颈,出海成为新的增量方向,多家头部公司集体押注AI短剧出海,海外增长空间大,品牌可以提前布局海外AI短剧营销;同时行业爆款率低,审核趋严,过审率从此前60%降到30%左右,合作需要优先选择过审率高的稳定合作方,规避内容无法上线的风险。

AI短剧赛道当前的格局和变化,给想进入或已经布局的卖家明确了机会方向与风险提示。

1. 行业整体风险偏高:当前行业90%以上玩家不赚钱,爆款率不足0.2%,每日上线短剧中能实现投流正收益的仅为个位数,平台调整分账规则+审核趋严后,行业玩家收入普遍减少三分之一,多数公司盈利压力大,头部点众创始人明确建议,没有核心资源不要轻易入局。

2. 明确的增量机会:国内市场增长见顶,出海成为公认的新增量方向,多家头部公司已经加大投入布局海外本地化业务,海外市场未来增长空间大,卖家可以结合自身资源跟进出海方向布局。

3. 盈利模式参考:分销、发行环节利润极薄,毛利率仅1%-5%,依赖精细化运营,盈利波动大;内容制作环节虽然风险高,但一旦产出爆款就能获得高额收益,头部单爆款可实现单日百万利润,卖家可结合自身资源选择适合的模式。

AI短剧内容生产赛道的变化,给内容生产工厂带来了明确的生产方向、商业机会和数字化转型启示。

1. 产品生产需求调整:AI降低制作门槛后,行业产能指数级爆发,但爆款稀缺、审核趋严,过审率从此前的60%下降至30%甚至更低,直接影响收益,生产端需要调整策略,在控制产能规模的同时,重点提升内容质量,提高过审率,才能保障基本收益。

2. 新商业机会:国内市场内卷严重,出海成为新增量,头部制作公司纷纷布局海外业务,需要大量本土精品短剧产能,头部公司灵矩科技每月就需要50部海外本土精品剧,生产工厂可以对接头部公司的出海需求,承接代工订单,获得稳定营收。

3. 数字化转型启示:AI工具大幅提升生产效率,自动化程度提升后可以优化团队规模降低人力成本,头部公司灵矩科技依托AI实现月产500部精品AI短剧,证明AI生产模式的可行性,生产工厂需要加快AI工具的落地应用,提升生产效率压缩成本。

当前AI短剧行业的发展变化,给各类服务商指明了行业需求和未来发展方向。

1. 行业发展趋势明确:AI短剧整体规模仍在快速增长,国内行业整体日投流消耗已经超过2亿元,头部发行单月投流规模就达到上亿级别,投流服务、技术服务的市场需求很大;同时行业掀起出海浪潮,海外AI短剧的相关配套服务需求也在快速增长,市场空间大。

2. 客户核心痛点清晰:内容制作客户的痛点是爆款率低、过审率下降、盈利难度大;分销发行客户的痛点是利润薄、ROI偏低、投流测试淘汰率高,超九成剧集在测试阶段就被淘汰,单部作品净利润最高仅10-20万,盈利不稳定。

3. 解决方案发展方向:技术服务商可以优化AI创作工具,帮助制作方提升内容质量和过审率;投流服务商可以推出精细化运营服务,帮助发行方提升ROI降低亏损风险,同时可布局出海配套服务,抓住行业增量机会。

AI短剧行业的发展现状,给内容平台的运营、生态建设和风险规避提供了明确参考。

1. 行业玩家对平台的核心需求:AI短剧产能爆发后,大量中小创作者和制作方进入市场,玩家需要平台提供更清晰稳定的审核标准和分账规则,此前平台调整分账取消保底后,行业大量玩家收缩裁员,对生态冲击较大,平台需要平衡自身收益和创作者生态稳定。

2. 平台运营方向参考:当前流量平台是行业最稳定的盈利方,靠售卖流量就能实现旱涝保收,字节已经打通从IP版权、AI创作工具到投流的全链路闭环,获得了行业最多利润,证明全链路布局能放大平台收益。

3. 风险规避与增量布局:行业当前99%作品播放量不足百万,大量中小玩家盈利困难,平台需要做好风险提示,同时加大优质内容扶持,优化生态结构;此外出海是行业新增长点,平台可以提前布局海外AI短剧业务,抢占增量市场。

AI短剧作为AI赋能内容产业的新兴赛道,其发展现状、格局和问题,给产业研究提供了丰富的研究样本。

1. 产业新动向清晰:AI技术大幅降低制作门槛,行业产能实现指数级增长,整体规模快速扩张,2026年第一季度总播放量已经达到1300亿;同时行业马太效应凸显,头部玩家占据绝大多数收益,90%中小玩家陪跑不赚钱,当前国内市场增长见顶,出海成为产业新的发展方向,多家头部企业已经集体布局。

2. 产业新问题突出:行业整体爆款率不足0.2%,能实现投流正收益的短剧仅为个位数,行业平均ROI仅1.05-1.1,盈利难度大;平台审核趋严后过审率大幅下降,进一步挤压玩家利润空间,行业经历洗牌后大量企业裁员优化,且目前行业集中度低,尚未出现稳定的头部内容厂牌。

3. 商业模式特征明确:当前行业形成分层商业模式,流量平台和算力服务商旱涝保收,分销发行商赚微薄差价,内容制作方承担高风险博取高收益,头部内容方能获得远高于渠道方的收益。

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Quick Summary

This article outlines the current development status of the AI short drama industry, maps out its profitability landscape, and gives general readers a clear overview of the sector as well as practical guidance for entering the market.

1. The industry is characterized by a stark wealth divide: Platform-side revenue has hit a new high, with ByteDance's AI tool Seedance generating 1 billion yuan in monthly revenue, and total daily ad spend for Chinese AI short dramas exceeding 200 million yuan. However, over 90% of manhua-style drama companies are unprofitable. In Q2 2026, the hit rate of AI short dramas was less than 0.2%, over 99% of works garnered fewer than 1 million views. After Douyin and Hongguo adjusted their revenue-sharing rules, numerous leading and mid-sized companies conducted layoffs, with some cutting nearly one-third of their workforce.

2. Identified profitable players and entry advice: ByteDance has built a closed-loop full stack covering IP, tools and ad placement, making it the industry's biggest winner. Top production and distribution companies achieve stable profitability, and even a single hit can deliver extremely high returns—for example, *Bodhi Descends (Live-Action AI Version)* generated 1 million yuan in profit from distribution in a single day. The founder of Dianzhong, a leading industry player, advises that new entrants should not enter the market casually without core resources including IP, scripts, and AI-enabled aesthetic judgment.

As an emerging high-traffic vertical, the AI short drama industry's landscape and development trends provide clear reference for brands' marketing planning.

1. Sufficient consumer-side traffic base: In Q1 2026, total views of AI short dramas and manhua-style dramas across Chinese internet reached 130 billion, 75 billion of which came from hyper-realistic human AI dramas. With extremely high user attention, the sector has become a new traffic scenario for brand content marketing and product placement, with large marketing potential.

2. Reference for industry cooperation: The sector exhibits a clear Matthew effect, with leading players capturing the vast majority of traffic and profits. Only 8 companies in the industry have annual ad spend exceeding 500 million yuan. Partnering with top players delivers more stable exposure and higher efficiency for brands.

3. Trend and risk alerts: Domestic market growth has hit a bottleneck, and going global has become the new source of incremental growth. Multiple leading players are all betting heavily on AI short drama international expansion, which offers substantial room for growth. Brands can lay the groundwork for marketing via overseas AI short dramas in advance. At the same time, the industry's low hit rate and tightening content regulation have pushed the approval rate down from roughly 60% to 30%. Brands should prioritize partners with high approval rates to avoid the risk of content being unable to launch.

The current landscape and shifts in the AI short drama track clarify opportunity directions and risk warnings for sellers looking to enter or already active in the sector.

1. The industry carries inherently high risk: Over 90% of current industry players are unprofitable, the hit rate is below 0.2%, and only single-digit percentage of new daily short dramas achieve positive return on ad spend. After platforms adjusted revenue-sharing rules and regulators tightened content approval, industry players generally saw their revenue drop by one-third, leaving most companies under heavy profit pressure. The founder of leading player Dianzhong explicitly advises against entering the market without core resources.

2. Clear incremental opportunity: Domestic growth has plateaued, and global expansion is widely recognized as the new source of growth. Multiple leading players have already increased investment in localized overseas operations, which offers large long-term growth room. Sellers can follow this trend and align their layout with their own existing resources.

3. Reference for profitability models: Distribution and publishing offer extremely thin margins, with gross profit of only 1% to 5%, rely on fine-grained operation, and see large profit volatility. While content production carries higher risk, a hit work delivers outsized returns, with top hits generating 1 million yuan in profit in a single day. Sellers can select a model that fits their own resource endowment.

Shifts in the AI short drama content production track bring clear direction, new business opportunities and digital transformation insights for content production factories.

1. Adjustments to production demand: AI has lowered production barriers, leading to exponential growth in industry output, but hits remain extremely scarce and approval standards have tightened. The content approval rate has dropped from 60% to 30% or even lower, directly hitting profitability. Producers need to adjust their strategies: while controlling production scale, they must prioritize improving content quality and approval rates to secure basic earnings.

2. New business opportunities: Severe domestic market competition has made overseas expansion the new incremental growth engine. Leading production companies are rushing into the overseas market, which requires large volumes of localized high-quality short drama output. Lingju Technology, a leading player, needs 50 localized high-quality overseas dramas per month alone. Production factories can partner with leading players to meet their overseas expansion needs, take on contract production orders, and secure stable revenue.

3. Digital transformation insights: AI tools drastically boost production efficiency, and higher automation allows companies to optimize team size and cut labor costs. Leading player Lingju Technology produces 500 high-quality AI short dramas per month powered by AI, proving the viability of the AI-powered production model. Content factories need to speed up the adoption of AI tools to improve production efficiency and cut costs.

Current developments in the AI short drama industry clarify industry demand and future development directions for all types of service providers.

1. Clear industry growth trends: The overall AI short drama market is still expanding rapidly, with total daily ad spend in China exceeding 200 million yuan, and top publishers reaching 1 billion yuan in monthly ad spend. This creates strong market demand for ad services and technology services. Meanwhile, the ongoing wave of global expansion is driving rapid growth in demand for supporting services for overseas AI short drama operations, which opens up large market opportunities.

2. Clear core pain points of clients: Content production clients struggle with low hit rates, falling approval rates, and high barriers to profitability. Distribution and publishing clients face thin margins, low return on investment (ROI), and high elimination rates in ad testing—over 90% of dramas are eliminated during the testing stage, and the maximum net profit for a single work is only 100,000 to 200,000 yuan, leading to unstable earnings.

3. Directions for solution development: Technology service providers can optimize AI creation tools to help producers improve content quality and approval rates. Ad service providers can develop fine-grained operation services to help publishers boost ROI and reduce the risk of losses. All service providers can also lay out supporting services for global expansion to capture the industry's incremental growth opportunities.

The current development status of the AI short drama industry provides clear reference for content platforms on operation, ecosystem building, and risk mitigation.

1. Core industry demands from platforms: Following the explosion in AI short drama output, a large number of small and mid-sized creators and producers have entered the market. Industry players need platforms to provide clearer, more stable content approval standards and revenue-sharing rules. After previous adjustments that cut revenue share and eliminated minimum guarantees, a large number of industry players scaled back and conducted layoffs, dealing a major blow to the ecosystem. Platforms need to strike a balance between their own revenue and the stability of the creator ecosystem.

2. Reference for platform operation direction: Currently, traffic platforms are the most stable profitable players in the industry, earning steady income from traffic sales. ByteDance has built a closed full-stack loop from IP copyright, AI creation tools to ad placement, capturing the largest share of industry profits, which proves that full-stack integration amplifies platform revenue.

3. Risk mitigation and incremental layout: Over 99% of works in the industry get fewer than 1 million views, leaving a large number of small and mid-sized players struggling to turn a profit. Platforms need to issue clear risk warnings, increase support for high-quality content, and optimize the ecosystem structure. In addition, global expansion is the industry's new growth driver, so platforms can lay out overseas AI short drama businesses in advance to capture incremental market share.

As an emerging sector where AI is transforming the content industry, the current development status, market structure and ongoing challenges of AI short dramas provide a rich research sample for industry studies.

1. Clear new industry trends: AI technology has drastically lowered production barriers, enabling exponential growth in industry output and rapid overall scale expansion. Total views reached 130 billion in Q1 2026. At the same time, a pronounced Matthew effect has emerged, with leading players capturing the vast majority of profits and over 90% of small and mid-sized players running unprofitable. With domestic growth plateauing, global expansion has become the sector's new development direction, and multiple leading players have already entered the market in tandem.

2. Prominent new industry challenges: The overall hit rate is below 0.2%, only single-digit short dramas achieve positive return on ad spend, and the industry-wide average ROI is only 1.05 to 1.1, making profitability extremely difficult. Tighter regulatory approval has cut approval rates sharply, further squeezing players' profit margins. Following ongoing industry consolidation, a large number of companies have cut staff to optimize operations. The sector still has low concentration, and no stable leading content brand has yet emerged.

3. Clear characteristics of the business model: The industry has developed a layered business model: traffic platforms and cloud computing providers earn steady, reliable returns; distribution operators collect thin margins; and content producers take on high risk in pursuit of high returns, with top content producers earning far higher returns than channel operators.

Disclaimer: The "Quick Summary" content is entirely generated by AI. Please exercise discretion when interpreting the information. For issues or corrections, please email run@ebrun.com .

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|翟元元

短剧赛道“贫富差距”越来越大。

一方面是平台侧收入不断创新高。公开报道数据显示,Seedance 2.0单月收入已经达到了10亿元,且仍在爬升期。投流方面,国内AI短剧行业整体大盘日消耗超过2亿元。卖工具与卖流量的字节成了行业最大赢家。

另一方面则是行业90%多的漫剧公司不赚钱。虽然行业规模仍在增长,并且在AI加持下产能呈指数级爆发,但产能爆发、爆款稀缺,大多数玩家属于陪跑。截至2026年第二季度,AI短剧爆款率极低:单部作品破亿者不足0.2%,全网AI剧/漫剧第一季度总播放量达1300亿(其中仿真人剧750亿),但99%以上作品播放量低于100万。播放量与爆款收入挂钩,播放量越低,短剧收益便越少。

AI短剧最大鼓风机停歇,赛道内玩家便跟着一起被动洗牌。抖音与红果调整分账系数与取消保底机制后,赛道玩家经历了严重的项目收缩和人员优化,包括酱油在内的头部公司及中型公司都在进行裁员调整,有些公司裁员比例甚至接近三分之一。

短剧赛道,到底是否赚钱?究竟谁在赚钱?

最早吃到红利的头部公司,年利润数亿

字节肯定是行业最赚钱的玩家,上到小说剧本IP版权,下到投流消耗,还有创作过程中提供的“铲子”Seedance等AI视频工具,商业实现了闭环。利润最为丰厚的环节,几乎全由字节收入囊中。

除了字节之外,头部内容制作方、分销商最有可能吃到行业红利。当然不排除个别OPC玩家,以一己之力实现数十万元收入。不过,总体而言,行业马太效应比较明显,头部玩家更有资本上桌、分蛋糕。

漫剧大多为分销模式,“投流消耗”是衡量玩家规模体量的一个重要维度。

深圳创量数据显示,近半年,投流消耗超20亿的头部公司只有一家:花笙。超10亿的头部公司有四家:七猫、九州、麦芽、点众,超5亿的有三家:掌玩、山海、迪弗。这些都是比较稳定的头部公司。

分销商的角色通常利润比较透明,在1-5%左右。如果以最高5%计算,花笙近半年利润1亿元左右。其他家利润2500-5000万元左右。

点众作为头部公司之一,去年收入为145亿元。6月10日,点众科技创始人、董事长陈瑞卿在GrowData一篇关于点众科技的文章下方留言透露,公司2025年营收145亿,其中国内109亿,海外5.3亿美元。

点众公司两年前曾公开回应称,公司整体毛利率在10% 左右,其中短剧业务净利率不到1%。如果按照1%的净利率计算,那2025年点众净利润为1.45亿。

另一家头部公司酱油文化,其创始人黄浩南曾透露,2025年全年营收约10亿元,净利润2-3亿元,属于最早吃到漫剧红利的企业之一。

值得一提的是,爆款漫剧稀缺,行业集中度不高,单部爆款漫剧也可能为制作方带来惊人的收益。深圳创量数据显示,2026年1-5月,投流消耗最高的AI仿真人剧分别为:《斩仙台真人AI版》《玉心向易》《749秘档:坠龙》《菩提临世真人AI版》《翻身》。其中,《菩提临世真人AI版》ROI(投资回报率)很高,有人分销《菩提临世真人AI版》一天消耗400多万,赚了100多万。

“亏是真亏,赚不一定能赚”,营收缩水团队裁员

当然,头部公司并不总是盈利。

李杨所在公司属于头部漫剧公司之一,据他讲,尽管公司今年营收绝对值因盘子铺大而高于去年,但利润率是下降的,并且当前月份可能无法盈利。因为,平台审核从3、4月份开始趋严,漫剧产量大但上架困难,一次过审率从此前的60%大幅下降至30%左右,甚至更低,这直接影响了收益,相当于直接减少了约三分之一的收入。收益减少约1/3,利润率也下降不少,营收与利润率双降,4、5月份甚至面临亏损压力。

李杨向Tech星球透露,与过去相比,现在团队ROI下降,爆款率降低。目前行业ROI普遍维持在1.05-1.10之间,头部公司的爆款率实际上远低于对外宣传的50%-60%。

业绩承压,加上工具自动化程度再次进化,李杨公司漫剧团队规模优化了至少500人。

此外,行业信息不透明,有些头部公司即使盈利也可能宣称亏损。

点众陈瑞卿给想入行的新人提的建议是,谨慎入局。“IP、剧本、懂AI的懂审美的导演,看他擅长啥。如果我说的几点都不具备,我就一个建议,别进来”,“都是血汗钱,亏是真亏,赚不一定能赚。”

不少漫剧公司开始发力出海,在海外寻找增量市场。

昆仑万维、中文在线、山海星辰、阅文集团等公司集体押注“AI短剧出海”。头部漫剧公司灵矩科技副总吕少龙向Tech星球表示,为应对国内市场的增长瓶颈,灵矩科技今年将重点发展海外。

吕少龙表示,今年公司业务重心为出海,在海外市场投入巨大,包括APP开发、投流以及内容制作,属于重资产模式。重投入无疑将直接摊薄公司利润,为了保障整体利润,团队通过自制剧、承接平台剧、以及作为分销商投流别家剧等多环节运作提高利润率。

目前,灵矩科技AI短剧月产能为500部精品,公司已有多部作品实现全网播放量破10亿。另外,海外本土精品剧产能也达到每月50部。在海外,公司已布局组建海外本地化团队,逐渐深化海外业务。

流量平台和算力公司稳赚不赔

站在分销商的视角,能稳定盈利的公司极少。

嘉书科技创始人王小书透露,公司核心业务为短剧发行(分销),主要服务于内容制作方(CP),负责将他们的短剧在抖音等平台进行投流推广。目前,嘉书科技在抖音平台单月投流规模(广告费)达到上亿量级。

真人短剧与AI短剧发行同时在做,后者占嘉书科技国内业务的60%。公司海外业务则主要聚焦YouTube平台,拥有约5000万粉丝,其中真人短剧占比较高。整体而言,海外市场进度慢于国内,不过,未来增长空间巨大。

王小书称,发行商(分销商)的利润主要来自投流回收与CP分成的差额,通常仅有1%-2%的毛利率,有时候可能因为策略失误或系统调整还会导致亏损。利润极薄且资金量大,所以盈利状态高度依赖精细化的运营策略,单月盈利或亏损的波动幅度很小,整体属于“服务商”角色而非行业上下游暴利环节。

在他看来,平台方与模型方属于旱涝保收:流量平台(如抖音)通过售卖流量稳赚不赔,而提供算力或模型服务的公司(如C端模型公司)也处于相对稳定的收益状态。内容方承担高风险,但与此同时也可能获得高回报,因为内容制作方一旦产出爆款,便可获得远超发行商的绝对收益。

从发行商角度看,不存在绝对的“爆款”概念,只要能实现投流正收益(ROI>1)即可持续投放;而从CP视角看,通常抖音播放量过亿的短剧即为爆款。

不过,投流实现正收益的AI短剧占比并不高。王小书透露,在每日上线的大量短剧中,能够通过投流测试并实现正收益的比例极低,仅为个位数,大部分剧集在测试阶段即被淘汰。

对于单家分销商来说,单部AI短剧的投流消耗天花板不高,通常难以突破500万,多数在300万左右。即使投流表现最好的AI短剧,为发行商带来的净利润也仅在10万至20万元之间,无法实现单部爆款短剧的巨额利润。

在他看来,AI短剧降低了制作门槛,导致市场参与者极度分散,目前尚未出现类似真人短剧领域的头部稳定厂牌,多为新成立的小团队或个体创作者。从整体利润率来看,行业头部公司虽然规模较大,但受限于高昂的人力成本(通常拥有上千名员工甚至数千名),整体利润率可能并不理想,真正能稳定盈利的CP方较少。

注:文/翟元元,文章来源:Tech星球(公众号ID:tech618),本文为作者独立观点,不代表亿邦动力立场。

文章来源:Tech星球

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