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百货商场迈入“古法黄金”时代

李瑟 2026-05-14 08:59
李瑟 2026/05/14 08:59

邦小白快读

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本文核心介绍了当前古法黄金在国内百货商场兴起的行业现状,整理核心重点干货如下:

1. 行业格局:当前古法黄金赛道分为两个阵营,一是老铺黄金、君佩黄金等主打传统手工工艺的新兴品牌,走高端小众路线,老铺黄金2025年营收同比增长221%,增速极快;二是周大福、老凤祥等传统黄金品牌推出的古法黄金副线,比如周大福传承系列,已经占到该品牌内地黄金零售的39%,市场接受度很高。

2. 消费变化:黄金消费从原来看重保值、婚嫁送礼,转向年轻人悦己消费、装饰消费,消费者更看重工艺、设计和文化内涵,一口价模式的古法黄金越来越受欢迎。

3. 消费参考:普通消费者选购古法黄金,可优先选择SKP、万象城、银泰这类头部高端商场,商场已经完成优质品牌筛选,还有IP联名、体验活动,选择更丰富。

当前古法黄金赛道爆发增长,为黄金珠宝品牌带来新的发展机会,核心干货整理如下:

1. 消费趋势:当前消费主力转向中产和年轻群体,需求从保值、婚嫁用途转向悦己消费、社交装饰,消费者愿意为工艺、设计、文化故事支付溢价,一口价计件产品销售占比持续提升,行业正从卖原料转向卖设计审美。

2. 渠道建设:优先布局SKP、万象城、银泰百货这类头部高端商场,这类商场可帮助品牌精准触达高净值目标客群,还会主动充当品牌的买手和推手,联手做营销推广,实现品牌与商场的双赢。

3. 品牌布局方向:新兴品牌可走高端小众的反规模化增长路线,突出传统手工工艺的差异化;传统品牌可通过推出副线的方式切入赛道,结合IP联名、场景营销打开增长空间。

当前古法黄金处于高速增长期,黄金珠宝卖家可抓住以下机会,注意相关风险,核心干货整理如下:

1. 市场机会:古法黄金需求爆发,头部品牌增长迅猛,老铺黄金2025年营收同比增长221%,净利润同比增长234.9%,周大福传承系列已经占到其内地黄金零售的39%,市场空间大,资本也纷纷入场支持品牌发展。

2. 渠道与经营机会:头部高端百货现在主动筛选引入古法黄金品牌,还会提供营销运营支持,比如银泰百货会帮助品牌做IP联名活动、场景体验运营,帮助新品牌快速打开市场;经营上可优先布局高奢收藏线或IP设计艺术线,契合年轻消费需求。

3. 风险提示:古法黄金依赖手工工艺,天生难以快速规模化拓店,卖家不要盲目扩张,需要结合自身品牌定位控制开店速度,走差异化增长路线。

古法黄金的爆发给黄金生产加工工厂带来了新的需求与商业机会,核心干货整理如下:

1. 产品生产设计需求变化:当前行业已经告别单纯拼克重的阶段,市场越来越看重传统手工工艺、原创设计和文化属性,消费者青睐搂胎、锤揲、錾刻、花丝等传统古法工艺,也喜欢IP联名、主题化的原创设计,工厂需要调整生产方向,提升工艺和设计能力。

2. 新商业机会:不管是新兴古法黄金品牌,还是传统黄金品牌都在扩大古法黄金的产品线,市场需求缺口较大,工厂可以针对性拓展业务,针对高端小众品牌做手工定制业务,针对大众品牌做标准化工艺产品,覆盖不同层级客户需求。

3. 转型启示:行业正在从卖原料向卖文化审美转型,工厂不能只停留在低附加值的粗加工环节,可逐步向高附加值的工艺设计环节延伸,提升自身利润空间,契合行业整体转型趋势。

当前黄金珠宝行业正处于深度转型期,服务商可抓住行业变化带来的新机会,核心干货整理如下:

1. 行业发展趋势:古法黄金的兴起推动整个黄金珠宝行业转型,行业从按克卖原料转向按工艺卖设计,消费需求转向悦己消费、文化审美体验,头部百货商场已经从单纯的柜台出租方转变为品牌筛选者和运营推手,整个产业链都在重构。

2. 核心客户痛点:品牌端,新兴古法品牌缺高端渠道资源和运营经验,传统品牌需要拓展新产品线和新营销玩法;商场端,需要打造差异化品类吸引客流,提升业绩,缺优质品牌资源和内容运营方案。

3. 可落地的解决方案:针对品牌可提供高端渠道对接、IP联名开发、场景营销策划等服务;针对商场可提供古法黄金品牌招商、文化体验场景打造等服务,精准契合当前行业对工艺、文化、体验的核心需求。

古法黄金的兴起给百货商场等平台带来了角色重塑的新机遇,头部平台已经探索出可借鉴的成熟玩法,核心干货整理如下:

1. 当前行业新需求:品牌端需要平台帮助精准触达目标客群,提供运营推广支持,不再满足于单纯租赁柜台;消费者端需要文化审美体验,不再满足于购买标准化的黄金产品,对平台提出了新要求。

2. 可借鉴的最新做法:一是主动筛选优质古法黄金品牌,引入头部品牌和潜力新品牌,打造黄金品类的差异化优势,比如南京德基即将集齐古法黄金四姐妹,绍兴银泰黄金品类占到当地市场份额的6成;二是转变角色,做品牌的买手和推手,用生肖经济、首发经济、IP联名、场景化体验营销四个策略帮助品牌增长,还可打造文化体验基地,提升消费者体验。

3. 风向提示:要顺应行业从卖原料到卖设计的转型,抢先布局优质古法品牌,完成从提供货架到经营审美的转型,抓住品类增长红利。

古法黄金在百货商场的兴起展现了黄金珠宝产业的全新变革,有很多值得研究的新内容,核心干货整理如下:

1. 产业新动向:当前古法黄金赛道出现明显分化,新兴品牌走出了和传统黄金品牌完全不同的反规模化增长路径,主打高端手工工艺,差异化竞争;传统大众品牌通过副线切入,依托原有渠道快速渗透;资本大量入场,头部商场主动参与产业重构,推动行业变革。

2. 商业模式新变化:黄金从原来按克计价的硬通货,转变为按工艺设计计价的消费品,商业模式从卖产品转向卖文化审美和体验;百货商场也从租赁柜台的物业方,转变为品牌筛选者和行业运营者,产业话语权正在发生转移。

3. 研究方向参考:可研究反规模化增长模式在高端消费品领域的可行性、头部渠道在品类崛起中的作用、传统手工艺的商业化路径等,对研究新消费升级背景下的产业转型有较高参考价值。

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Quick Summary

This article centers on the recent rise of traditional craft gold jewelry in Chinese department stores and summarizes key takeaways as follows:

1. Industry landscape: The current traditional craft gold sector is divided into two camps. The first includes emerging niche high-end brands focusing on traditional handcraft, such as Lao Pu Gold and Junpei Gold. Lao Pu Gold has seen an extremely fast 221% year-on-year revenue growth projected for 2025. The second camp consists of traditional gold giants including Chow Tai Fook and Lao Fengxiang that have launched their own traditional craft gold sub-lines. For example, Chow Tai Fook’s "Heritage" collection already accounts for 39% of the brand’s mainland China gold retail sales, demonstrating strong market acceptance.

2. Shifting consumer behavior: Gold consumption has shifted from focusing purely on value retention and wedding/gift purchases to self-purchasing for personal enjoyment and decoration among younger consumers. Today’s buyers value craftsmanship, design and cultural connotation more, making fixed-price traditional craft gold increasingly popular.

3. Shopping tips for consumers: General buyers are advised to prioritize shopping at leading high-end department stores including SKP, Mixc and Intime. These venues have already pre-screened high-quality brands, and offer additional options such as IP collaborations and experiential events to enrich the shopping experience.

The traditional craft gold category is currently experiencing explosive growth, bringing new development opportunities for gold and jewelry brands. Key insights are summarized as follows:

1. Consumer trends: The core consumer base has shifted to middle-class and younger groups, with demand moving from value retention and wedding use to self-indulgent consumption and social-oriented decoration. Consumers are willing to pay a premium for craftsmanship, design, and cultural storytelling, and the sales share of fixed-price, piece-counted products continues to rise. The industry is gradually shifting from selling raw material to selling design and aesthetics.

2. Channel strategy: Brands should prioritize entering leading high-end department stores including SKP, Mixc and Intime. These venues help brands accurately reach high-net-worth target customers, and actively act as buyers and promoters to co-launch marketing campaigns, creating a win-win outcome for both brands and malls.

3. Brand positioning recommendations: Emerging brands can pursue a niche high-end, anti-scale growth path that differentiates itself through traditional handcraft. Established traditional brands can enter the sector by launching dedicated sub-lines, and unlock growth through IP collaborations and scenario-based marketing.

Traditional craft gold is currently in a period of rapid growth, and gold and jewelry sellers can seize the following opportunities while noting related risks. Key takeaways are as follows:

1. Market opportunities: Demand for traditional craft gold is booming, and leading brands are growing extremely rapidly. Lao Pu Gold is projected to post a 221% year-on-year revenue increase and a 234.9% year-on-year net profit growth in 2025; Chow Tai Fook’s "Heritage" collection accounts for 39% of its mainland China gold retail sales. The market has enormous room for growth, and capital is increasingly flowing into supporting brand development in the sector.

2. Channel and operational opportunities: Leading high-end department stores are now actively curating and introducing traditional craft gold brands, and provide marketing and operational support. For example, Intime Department Store helps brands organize IP collaboration events and build experiential scenario operations to help new brands quickly gain market traction. Operationally, sellers can prioritize developing high-end luxury collection lines or IP-designed art lines to align with young consumers’ demands.

3. Risk warning: Traditional craft gold relies on handwork, making rapid large-scale expansion inherently difficult. Sellers should not expand blindly, but control store opening speed in line with their own brand positioning and pursue differentiated growth.

The boom of traditional craft gold has brought new demand and business opportunities for gold production and processing factories. Key insights are as follows:

1. Shifts in product design and production demand: The industry has moved past the era of competing purely on weight. The market increasingly values traditional handcraft, original design and cultural attributes. Consumers favor classic ancient techniques such as hollowing, hammering, engraving and filigree, and also prefer IP-collaborated, thematically designed original works. Factories need to adjust their production focus and improve their craftsmanship and design capabilities.

2. New business opportunities: Both emerging traditional craft gold brands and established legacy brands are expanding their traditional craft gold product lines, creating a large market gap. Factories can expand their business accordingly: offer custom handcraft services for niche high-end brands, and produce standardized craft products for mass-market brands to cover the needs of different customer tiers.

3. Transformation insights: The industry is transitioning from selling raw material to selling culture and aesthetics. Factories should not stay stuck in low-value-added rough processing, but can gradually expand into higher-value-added craftsmanship and design links to increase profit margins and align with the overall industry transformation trend.

The gold and jewelry industry is currently undergoing in-depth transformation, and service providers can seize new opportunities brought by industry changes. Key takeaways are summarized as follows:

1. Industry development trends: The rise of traditional craft gold is driving the transformation of the entire gold and jewelry industry. The sector is shifting from selling raw material by weight to selling design by craftsmanship, while consumer demand is moving toward self-indulgent consumption and cultural-aesthetic experiences. Leading department stores have transformed from pure counter lessors into brand curators and operational promoters, and the entire industry chain is being restructured.

2. Core pain points of clients: On the brand side, emerging traditional craft brands lack access to high-end channel resources and operational experience, while traditional brands need to expand new product lines and adopt new marketing methods. On the mall side, venues need to build differentiated categories to attract footfall and boost performance, and lack access to high-quality brand resources and content operation solutions.

3. Actionable solutions: Service providers can offer services including high-end channel connection, IP collaboration development, and scenario-based marketing planning for brands; for department stores, they can provide traditional craft gold brand recruitment and cultural experiential scenario building services, which accurately meet the industry’s current core demand for craftsmanship, culture and experience.

The rise of traditional craft gold has brought new opportunities for role reshaping for platform operators such as department stores, and leading platforms have already developed mature, replicable practices. Key insights are as follows:

1. New industry demands: On the brand side, brands need platforms to help them accurately reach target customers and provide operational and promotion support, and are no longer satisfied with simply leasing counter space. On the consumer side, shoppers want cultural and aesthetic experiences, and are no longer content with buying standardized gold products, which puts forward new requirements for platforms.

2. Replicable latest practices: First, proactively curate high-quality traditional craft gold brands, introducing both leading brands and promising new entrants to build a differentiated advantage in the gold category. For example, Nanjing Deji Plaza is about to gather the four most prominent traditional craft gold brands, and Shaoxing Intime’s gold category accounts for 60% of the local market share. Second, transform the core role to act as a brand curator and promoter: use four strategies—zodiac economy, first-launch economy, IP collaboration, and scenario-based experiential marketing—to help brands grow, and build cultural experience bases to improve consumer experience.

3. Strategic outlook: Platforms should adapt to the industry’s transition from selling raw material to selling design, preemptively secure access to high-quality traditional craft gold brands, and complete the transformation from providing shelf space to curating aesthetics to capture the growth dividend of this rising category.

The rise of traditional craft gold in department stores reveals a brand-new transformation of the gold and jewelry industry, with many new topics worth researching. Key insights are summarized as follows:

1. New industry trends: The traditional craft gold track is clearly segmented. Emerging brands have adopted an entirely different anti-scale growth path from traditional gold brands, focusing on high-end handcraft and differentiated competition; mass-market traditional brands enter the track through dedicated sub-lines and achieve rapid penetration relying on their existing channels. Large amounts of capital have entered the space, and leading department stores are actively participating in industrial restructuring to drive industry change.

2. New business model changes: Gold has transformed from a hard currency priced by weight to a consumer good priced by craftsmanship and design, and the business model has shifted from selling products to selling culture, aesthetics and experience. Department stores have also transformed from counter-leasing property owners into brand curators and industry operators, and the distribution of industrial discourse power is shifting.

3. Recommended research directions: Researchers can explore the feasibility of the anti-scale growth model in the high-end consumer goods sector, the role of leading channels in the rise of new categories, and the commercialization path of traditional handicrafts. These topics carry high reference value for researching industrial transformation against the background of new consumption upgrading.

Disclaimer: The "Quick Summary" content is entirely generated by AI. Please exercise discretion when interpreting the information. For issues or corrections, please email run@ebrun.com .

I am a Brand Seller Factory Service Provider Marketplace Seller Researcher Read it again.

过去一年,古法黄金开始占据百货商场「黄金铺位」,这些此前不被大多数人认识的珠宝品牌,转眼间变成百货商场争夺的对象,和高端美妆品牌、奢侈品做起了邻居。

掀起古法黄金进「场」热潮的是老铺黄金(以下简称“老铺”),这个创立于2009年的品牌,在15年后靠着「把黄金卖成奢侈品」迎来了自己的爆火,成为“黄金界的爱马仕”。2024年,老铺销售业绩为97.95亿元,到了2025年,这一数字飙升至313.7亿元,营收和净利润分别同比增长221%和234.9%。老铺的增长神话让古法黄金赛道前所未有地热闹起来。

君佩黄金(以下简称“君佩”)、琳朝珠宝(以下简称“琳朝”)、宝兰和老铺,在社交平台上被并称为“古法黄金四姐妹”,也构成了目前古法黄金第一梯队;宝王府、多宝阁金铺、周洋霞等品牌也进入高端商场开店、围挡,持续扩大古法黄金阵营。

一定程度上,古法黄金正处于自己的“黄金时代”。

01 加速拓店、资本入场,古法黄金批量进入百货商场

2009年,老铺首家实体店在北京王府井工美大厦开业,彼时老铺作为“金色宝藏”子品牌运营,直到2016年底才开始独立运营。一年后,老铺成功走进北京SKP,开始与奢侈品同台竞技。

进入北京SKP开始,老铺的目光瞄准了高端。这也不难理解,一方面高端商场的“高净值人群”恰好是老铺的目标客群,这为老铺节省了“筛选成本”;而从老铺自身来说,使用搂胎、锤揲、錾刻、镶嵌、花丝、修金等传统工艺打造产品的「手工模式」,注定无法快速拓店。

最新财报显示,2025年底老铺进入34家知名商业中心,其中SKP系(6家)和万象城系(12家)合计开出18家。

高端商场、缓慢布局、工艺成为了古法黄金的共同标签,也让他们走出了一条与传统黄金品牌完全相悖的道路。如果说周大福们此前通过「快速铺开」来抢占市场,那么依赖手工模式的古法黄金走的是「反规模化增长」路径。琳朝创始人在接受媒体采访时公开表示“将门店控制在个位数”。

联商网统计发现,“古法四姐妹”中入驻商业中心最多的是老铺黄金,目前在36家商场中开出门店(包括新加坡金沙购物中心);2004年成立的君佩目前进入12家商场;2006年成立的琳朝目前仅在兰州开出1家门店;更早成立的宝兰目前开出4家门店。

从拓店速度上看,“四姐妹”中,君佩2026年目前开出4家门店,分别选在了成都太古里、北京国贸商城、杭州大厦和上海豫园;宝兰在南京德基广场、老铺在广州太古汇各自开出1家新店。琳朝在南京德基广场围挡,德基也将成为首个集齐“四姐妹”的商场。

第一梯队动作频频,第二梯队也在加速入场。多宝阁金铺、京匠黄金分别开出2家门店;御泰黄金在上海前滩太古里开出1家门店;宝王府在上海环贸iapm开业;而以「非遗国金开创者」姿态出现的周洋霞国金宝藏馆则选择了“银泰百货系”合作,2024年将全国首店开在了杭州西湖银泰百货,2025年再开进合肥银泰中心。

古法黄金加速进入商场的背后,一方面是中产和年轻消费者开始热衷「氪金」,在社交媒体上,年轻人开始宣称“黄金血脉”觉醒,和背着爱马仕的贵妇们一起排队,在“价格美丽”时期将百货商场挤成了“菜市场”;另一方面,则是资本开始入场,推动品牌发展。

古法黄金四姐妹中,仅君佩未公开融资信息。老铺黄金已经登陆港股,和泡泡玛特、毛戈平等组成了“港股新消费F4”。宝兰完成了超亿元的A轮融资,由挑战者创投领投,顺为资本和开云集团跟投。值得注意的是,挑战者创投法人代表是元气森林创始人唐彬森,顺为资本的联合创始人为雷军,而开云集团则为国际奢侈品集团,拥有GUCCI、圣罗兰等品牌。琳朝珠宝在去年收获了日初资本亿元级独家战略投资

02 周大福们“副线”走红,头部商场功不可没

现在回头来看,2017年对于这个行业来说是个重要且特别的年份。

老铺黄金自不必提,更重要的是大众黄金珠宝品牌看到了“古法黄金”的潜力,开始布局。

最先布局的是周大福,2017年周大福推出了“传承系列”,和主品牌不同,传承系列的卖点在于“古代黄金工艺”,也就是“古法黄金”。到了2019年4月,周大福在广东顺德开出首家“周大福传承专卖店”。随着古法黄金爆火,传承系列也持续走红。根据周大福财报,2025财年,传承系列占周大福内地整体黄金首饰及产品零售值的比重约为39%。

数字的背后是消费者喜好的直观体现,于是周大福从2024年开始,又先后推出传福、故宫、传喜系列,扩大古法黄金阵营。

周大福的加入,打开了大众珠宝品牌布局新思路。2018年前后,老庙、老凤祥、周大生等品牌也开始布局古法金。2018年,老庙黄金推出“古韵金作”系列;2021年,老凤祥推出“藏宝金”系列,周大生推出“非凡古法金”系列;2022年,六福珠宝推出“福满传家”系列。

这些手握着最多渠道商的大众品牌入局,让古法黄金更快速地走进大众市场。

一个现实的问题是,当新品牌出现并计划开出独立门店试水时,该如何选择商场?过往业绩或许是最重要的参考要素之一。

据联商网了解,周大福去年在银泰百货的销售规模位于10亿级水位;老凤祥、潮宏基、六福珠宝、老庙黄金、周生生、明牌珠宝、周大生、曼卡龙、周六福等多个品牌在银泰百货进入亿元级品牌俱乐部。

业绩是商场客群喜好和消费力的最好说明,于是更多品牌开始进入银泰百货商场内布局。

以周大福传承为例,目前品牌在银泰百货先后布局了宁波天一银泰百货、合肥银泰中心、杭州西湖银泰百货、绍兴银泰百货、宁波鄞州银泰百货、六安银泰百货等项目。周洋霞非遗国金宝藏馆全国首店、明牌传家金珍宝馆全国首店、梵克雅宝安徽首店、尚美巴黎安徽首店等首店品牌的加入,也扩大了商场的影响力。

以明牌传家金珍宝馆所在的绍兴银泰百货为例,这家拥有21个黄金珠宝品牌的商场,黄金珠宝品类在越城区市场份额的占比高达6成。

这对于品牌和商场来说,是双赢的选择。

03 化身“买手”和“推手”,头部商场正在重塑黄金消费品属性

以古法黄金代表的“一口价商品”正在百货商场变得越来越受欢迎。

联商网从银泰百货了解到,近三年计件类黄金饰品销售占比整体提升10%-20%,个别品牌计件类黄金饰品销售占比甚至达到了40%;过去一年,计件类黄金饰品销售占比从22%提升到了27%。

需要说明的是,计克类指黄金饰品按照“克重+工费”收费产品;计件类指“一口价销售商品”,融合了较高的艺术属性及工艺水平,如镶嵌、珐琅彩、掐丝、古法等工艺;前者价格受实时金价波动影响,后者则受金价影响较弱。

银泰百货黄金珠宝品类运营人员Sandy也向联商网证实了这一趋势,“年轻客群成为这波新消费的主力,他们追求颜值与个性。黄金珠宝品牌的功能也从婚嫁、送礼、保值,转向自戴、悦己、社交装饰为主。”她认为,高金价下,单纯拼克重的模式失效,行业进入大洗牌期。2026年,中国黄金珠宝行业正经历从按克卖原料向按工艺卖设计的剧烈转型。

行业大变革时期,银泰百货的“角色”也正在发生变化。其中一个直观变化是,银泰百货不再仅仅是“卖货的柜台”,而是筛选优质品牌的“买手”和“推手”,也就是说银泰百货在选定品牌后,和品牌一起携手重塑黄金的消费品属性。

“生肖经济”、“首发经济”、“IP联名”和“场景化体验营销”,成为2026年银泰百货在黄金珠宝品牌重要的四个策略,并且率先帮助品牌打开新增长路径。

联商网了解到,春节期间杭州武林银泰百货外广场打造“马上发财”打卡点,结合 “曼卡龙与北高峰财神联名全国首展” ,首发“东方庇佑系列”等活动,将黄金与祈福绑定。活动期间,曼卡龙IP产品在杭州武林银泰百货专柜的销售额占总销售金额的43.9%,实现了民俗流量到品牌业绩的高效转化。

此外,老凤祥“奇骥系列”飞天马明星款一到柜台就售罄,周大福“故宫博物院100周年”四合如意系列也受到欢迎,这也意味着年轻消费者愿意为“原创”“体验”买单,而银泰百货抓住了这一趋势。

数字是消费者喜爱的具像化,Sandy告诉联商网:“一是专攻古法金、主打传家收藏的‘高奢线’,二是依托IP联名、主打设计审美的‘艺术线’,在银泰百货备受欢迎。”

帮助成熟品牌打开「天花板」的同时,银泰百货也在运营“新品牌”方面给出不一样的答案。

周洋霞全国首家非遗国金宝藏馆在杭州西湖银泰百货开业时,银泰百货并不是简单的将非遗力作《清明上河图·十里红妆》《金钱鱼》《平安兽面》《凤鸣朝阳》《敦煌印象》等产品带进杭州,而是通过DIY定制、编绳定制等服务,将商场打造成为非遗文化体验基地。

写在最后

古法黄金的“黄金时代”,本质上是一场行业话语权的交接。过去,百货商场的黄金珠宝品牌货柜里,摆放的是由金价、克重和工费共同定价的“硬通货”;如今,消费者走进商场,为的是工艺、故事和独一无二的审美体验。

这场变化看似突然,实则酝酿已久。当“一口价”产品的销售占比在百货商场持续攀升,当年轻人把买古法黄金当作悦己消费而非资产保值,当传统手工艺成为区分“珠宝”与“金属”的关键变量——以银泰百货为代表的百货商场正悄然从标准化的黄金卖场,蜕变为承载文化审美的策展空间。

而对于百货商场而言,古法黄金带来的不仅是一个热门品类,更是一次角色重塑的契机。从被动接纳到主动筛选,从提供货架到经营审美,那些率先拥抱这一趋势的商场,正在用自己的选择定义:什么样的品牌值得进入、什么样的产品值得被看见。

当黄金不再只是“重”,而是“美”;当消费者不再只问“多少克”,而是问“什么工艺”,属于百货商场的古法黄金时代,才刚刚开始。

注:文/李瑟,文章来源:联商网(公众号ID:linkshop2012),本文为作者独立观点,不代表亿邦动力立场。

文章来源:联商网

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