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淘宝京东618营销 唯爱「浪姐」?

壹叔团队 2026-06-18 21:31
壹叔团队 2026/06/18 21:31

邦小白快读

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今年淘宝京东618娱乐营销整体呈现投入收缩、精打细算的特点,核心亮点是两大平台共同借势爆火综艺浪姐做营销,核心干货信息如下

1. 整体趋势对比去年撒金式的娱乐营销大战,今年两大平台都大幅削减了营销投入,全网娱乐营销亮点很少,行业整体转向追求高确定性的流量转化。

2. 今年两大平台的主流玩法:一是整合参战品牌的自有明星资源,集结成平台级星光矩阵,不用单独付出高额代言费就能获得声量;二是借浪姐的出圈热度,绑定参赛热门姐姐撬动饭圈即时转化,其中天猫合作曾沛慈创下2000万成交、场观破百万的好成绩。

3. 未来趋势:接下来电商娱乐营销大概率会延续低投入的状态,平台重心会逐步转向AI营销,行业呼吁娱乐营销回归真实,去掉套路化包装。

本文复盘了今年头部电商平台618娱乐营销的新变化,能给品牌方做营销提供多方面参考,干货如下

1. 当前消费和营销趋势:品牌和平台都放弃了过去大水漫灌的撒金营销,转而追求爆款IP的确定性流量,用户更买单真实有热度的内容,套路化包装的营销效果越来越差。

2. 可借鉴的成熟营销玩法:联动平台整合自身品牌的代言人资源,加入平台级星光矩阵,不用额外增加太多投入就能放大营销声量;不用拿下顶级综艺独家赞助,也能借势爆火IP的外溢流量,绑定热门参赛艺人撬动饭圈转化,成本低转化效果明确。

3. 方向提示:未来品牌做娱乐营销要往精准转化、真实内容方向调整,盲目砸大钱做独家冠名、顶流代言的模式已经不再适配当前环境。

今年618电商平台娱乐营销的逻辑变化,给各位卖家带来了明确的机会提示和风险提示,干货总结如下

1. 平台流量趋势变化:平台整体收缩娱乐营销的预算投入,逐步把流量重心向AI营销、商家自播转移,卖家可以调整自身的营销预算分配,增加对精准营销、自播运营的投入占比。

2. 可学习的低成本营销玩法:借势当下现象级热门IP的外溢流量,绑定节目出圈艺人撬动饭圈即时转化,这种模式比单独请顶流代言成本更低,转化效果更即时;还可以联动平台整合自身代言人资源,加入平台整体营销矩阵,放大声量不用额外加成本。

3. 风险提示:过去大水漫灌、套路包装的娱乐营销已经无法获得用户认可,很难拿到理想转化,卖家要避免盲目投入这类项目,优先选择成本可控、转化明确的营销方式。

今年电商大促娱乐营销和流量逻辑的变化,给布局电商的工厂带来了多方面的启示,干货总结如下

1. 线上营销逻辑变化:当前电商平台已经抛弃了流量泡沫式的泛娱乐营销,转而追求确定性的精准流量,工厂做线上品牌推广不用盲目砸大预算做泛娱乐营销,要侧重精准触达自己的目标用户,优先选择成本可控的推广方式。

2. 新品破圈的商业机会:当前爆火综艺的热门参赛艺人,自带即时的饭圈流量,转化效果明确,合作成本比顶流更低,适合工厂推出新品、打造新品牌的时候做推广,能以较低成本拿到不错的破圈效果。

3. 数字化电商转型启示:当前平台已经把AI电商、AI营销放在优先位置,工厂推进数字化和电商布局的时候,可以提前探索AI营销的相关应用,贴合平台发展风向更容易获得流量支持。

从今年618头部电商的娱乐营销变化,能看出娱乐营销服务行业的发展趋势、客户痛点和方向,干货总结如下

1. 行业发展趋势:平台和品牌客户对娱乐营销的投入越来越谨慎,都追求低成本高转化的确定性流量,不再接受大水漫灌、只做声量不看转化的流量泡沫模式,行业整体往降本增效方向发展。

2. 当前核心客户痛点:客户希望在控制营销预算的同时,拿到足够的传播声量和转化效果,过去重投入的顶流代言、独家冠名模式已经无法满足客户需求,客户需要更轻量、更精准的营销方案。

3. 解决方案方向:可以重点开发整合品牌现有资源、借势外部热门IP外溢流量的营销服务,同时探索AI技术和娱乐内容结合的新玩法,推动娱乐营销去掉套路化包装,回归内容真实,匹配客户对精准转化的需求。

今年淘宝京东618娱乐营销的实践,给电商平台做营销运营、活动管理提供了不少参考,干货总结如下

1. 当前商家对平台的核心需求:商家越来越看重降本增效,希望平台营销活动能提供低成本、高确定性的流量,不接受强制要求大额营销投入的规则,平台做活动策划要贴合商家降本的核心需求。

2. 可借鉴的最新运营玩法:整合全平台商家的自有明星代言人资源,打造平台级联合营销矩阵,既不用平台付出高额的代言成本,也能给所有参与商家带来更多曝光声量;不用拿下顶级IP的独家赞助,也可以借势IP外溢热度,分割流量红利,投入低转化效果明确。

3. 风向规避:要放弃过去撒币抢流量的军备竞赛模式,这类模式投入大效果不可控,同时要提前布局AI营销等新方向,适配电商流量精准化定制的新趋势。

本文对今年618头部电商娱乐营销的复盘,为研究电商营销产业变化提供了典型案例,核心干货如下

1. 产业新动向:电商大促的娱乐营销已经完成了阶段转型,从过去平台间撒金军备竞赛、抢流量的模式,转向了降本增效、追求确定性流量的新阶段,头部平台普遍收缩娱乐营销预算,逐步将发展重心前置到AI电商、AI营销领域。

2. 新营销模式总结:出现了轻投入的借势营销新模式,即不拿下顶级IP独家赞助,转而借势IP外溢热度,绑定热门参赛艺人获取饭圈流量,成本远低于独家赞助,也能拿到不错的转化;还有整合商家资源的联合营销模式,平台整合商家自有代言资源做联合声量,降低各方投入成本。

3. 行业启示:当前套路化、包装化的娱乐营销已经无法打动用户,整个行业需要推动变革,回归内容真实性,去掉刻意的套路包装,才能适配用户和客户的新需求。

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Quick Summary

This year's 618 entertainment marketing campaigns on Taobao and JD.com featured overall reduced spending and more deliberate budget allocation. A key highlight was that both major platforms leveraged the hit variety show *Sisters Who Make Waves* for their marketing efforts. Key takeaways are as follows:

1. Compared to last year's lavish, all-out entertainment marketing battle, both platforms cut marketing spending sharply this year. There were very few standout entertainment marketing initiatives across the industry, and the whole sector has shifted its focus toward high-certainty traffic conversion.

2. This year's dominant tactics among the two platforms were: First, they consolidated the celebrity resources owned by participating brands to build a platform-level celebrity matrix, generating buzz without paying for expensive individual endorsements. Second, they capitalized on the widespread popularity of *Sisters Who Make Waves*, partnering with high-profile contestants to drive immediate conversion from celebrity fandoms. Tmall's collaboration with contestant Zeng Peici, for example, generated RMB 20 million in GMV and attracted over 1 million live viewers.

3. Looking ahead: E-commerce entertainment marketing will most likely maintain its low-spending model going forward. Platforms will gradually shift their focus to AI-powered marketing, and the industry is calling for entertainment marketing to return to authenticity and move away from formulaic, over-packaged campaigns.

This article recaps the new shifts in 618 entertainment marketing from leading e-commerce platforms, offering multi-faceted insights for brands planning their marketing strategies. Key takeaways are as follows:

1. Current consumer and marketing trends: Both brands and platforms have abandoned the old "blanket spray" high-spending marketing approach, and now prioritize high-certainty traffic from hit IPs. Consumers respond better to authentic, high-trending content, while formulaic over-packaged marketing delivers increasingly poor results.

2. Proven, actionable marketing tactics to adopt: Brands can partner with platforms to integrate their own celebrity endorsement resources into a platform-level celebrity matrix, amplifying marketing reach without significant additional investment. Even without securing exclusive sponsorship of a top-tier variety show, brands can leverage spillover traffic from viral hit IPs, partnering with popular contestants to drive fandom conversion at low cost with clear conversion outcomes.

3. Strategic direction: Going forward, brands should adjust their entertainment marketing to focus on precise conversion and authentic content. The old model of blindly pouring large budgets into exclusive naming rights and top-tier celebrity endorsements is no longer suited to the current market environment.

The shifts in e-commerce platform entertainment marketing logic during this year's 618 shopping festival bring clear opportunity and risk alerts for sellers. Key takeaways are as follows:

1. Shifts in platform traffic trends: Platforms have overall cut entertainment marketing budgets and are gradually shifting their traffic focus to AI-powered marketing and merchant self-operated live streaming. Sellers can adjust their own marketing budget allocation to increase the share spent on precision marketing and self-operated live stream operations.

2. Accessible low-cost marketing tactics to adopt: Sellers can capitalize on spillover traffic from current viral hit IPs, partnering with breakout show contestants to drive immediate fandom conversion. This model costs less than hiring an A-list celebrity for an exclusive endorsement and delivers more immediate conversion results. Sellers can also partner with platforms to integrate their own celebrity endorsement resources into the platform's overall marketing matrix, amplifying reach without extra costs.

3. Risk warning: Old-fashioned, over-packaged, mass-appeal entertainment marketing no longer resonates with consumers and rarely delivers ideal conversion. Sellers should avoid blindly investing in these types of projects, and prioritize marketing methods with controllable costs and clear conversion outcomes.

The changes in entertainment marketing and traffic logic for this year's e-commerce big promotion bring multiple insights for factories with e-commerce operations. Key takeaways are as follows:

1. Shifts in online marketing logic: E-commerce platforms have now abandoned bubble-bloating, broad-appeal entertainment marketing, and instead prioritize high-certainty precision traffic. Factories building their online brands do not need to blindly pour large budgets into broad-appeal entertainment marketing, and should instead focus on precision targeting of their core audience, prioritizing promotional methods with controllable costs.

2. Business opportunities for new product breakthroughs: Popular contestants from current hit variety shows bring immediate, convertible fandom traffic at a much lower collaboration cost than A-list celebrities. This model is well-suited for promoting new product launches and building new brands, delivering solid breakout results at a low cost.

3. Insights for digital e-commerce transformation: Platforms are now prioritizing AI-powered e-commerce and AI marketing. When advancing digital transformation and e-commerce expansion, factories can explore applications of AI marketing in advance; aligning with platform development trends makes it easier to secure traffic support.

The shifts in entertainment marketing among leading e-commerce platforms during this year's 618 reveals key industry trends, client pain points and strategic directions for the entertainment marketing service sector. Key takeaways are as follows:

1. Industry development trends: Platforms and brand clients are increasingly cautious about entertainment marketing spending, prioritizing low-cost, high-conversion, high-certainty traffic. They no longer accept the bubble model of large-scale spending that prioritizes reach over conversion, and the whole industry is shifting toward cost reduction and efficiency improvement.

2. Core current client pain points: Clients want to maintain sufficient marketing reach and conversion while controlling marketing budgets. The old high-investment model of A-list endorsements and exclusive sponsorship no longer meets client needs, and clients now demand lighter, more precise marketing solutions.

3. Solution directions: Service providers can focus on developing marketing services that integrate existing brand resources and leverage spillover traffic from external popular IPs. At the same time, they should explore new models that combine AI technology with entertainment content, help move entertainment marketing away from formulaic packaging and back to authentic content, to match client demand for precise conversion.

The 618 entertainment marketing practices of Taobao and JD.com this year offer a lot of reference for e-commerce platforms on marketing operations and activity management. Key takeaways are as follows:

1. Core current merchant demand from platforms: Merchants increasingly prioritize cost reduction and efficiency improvement, and expect platform marketing activities to deliver low-cost, high-certainty traffic. They no longer accept rules that force large mandatory marketing investments, so platforms need to align activity planning with merchants' core demand for lower costs.

2. Actionable new operational tactics to adopt: Platforms can consolidate the in-house celebrity endorsement resources of all platform merchants to build a platform-level joint marketing matrix. This approach requires no high endorsement costs from the platform, while bringing more exposure and reach to all participating merchants. Even without securing exclusive sponsorship of a top-tier IP, platforms can capitalize on the IP's spillover popularity to capture a share of traffic dividends, with low investment and clear conversion results.

3. Strategic pitfalls to avoid: Platforms should abandon the old arms-race model of pouring massive budgets to grab traffic, which delivers unpredictable results at very high cost. They should also proactively prioritize new directions such as AI marketing to adapt to the new trend of customized precision traffic in e-commerce.

This recap of 618 entertainment marketing at leading e-commerce platforms this year provides a typical case study for research on shifts in the e-commerce marketing industry. Core findings are as follows:

1. New industry trends: Entertainment marketing for e-commerce big promotions has completed a phased transformation. It has shifted from the old model of an all-out spending arms race between platforms to grab traffic, to a new stage focused on cost reduction, efficiency improvement and high-certainty traffic. Leading platforms have broadly cut entertainment marketing budgets, and are gradually shifting their core development focus to AI-powered e-commerce and AI marketing.

2. Summary of new marketing models: A new low-investment leverage marketing model has emerged: rather than purchasing exclusive sponsorship of a top-tier IP, marketers capitalize on the IP's spillover popularity and partner with popular contestants to access fandom traffic, at a far lower cost than exclusive sponsorship while still delivering solid conversion. A second new model is joint marketing through merchant resource consolidation: platforms integrate existing endorsement resources from merchants to generate collective reach, lowering investment costs for all parties.

3. Industry insights: Formulaic, over-packaged entertainment marketing no longer resonates with consumers. The entire industry needs to drive change, return to authentic content, and abandon deliberate formulaic packaging to adapt to the new demands of consumers and clients.

Disclaimer: The "Quick Summary" content is entirely generated by AI. Please exercise discretion when interpreting the information. For issues or corrections, please email run@ebrun.com .

I am a Brand Seller Factory Service Provider Marketplace Seller Researcher Read it again.

文/路柯

又是一年618落幕,可谓愈发寂寥。

回看去年,“闪购大战”引爆市场,京东淘宝美团纷纷发起地盘之战,在品牌营销费上大举投入,娱乐营销异常火热,无论是代言人的谐音梗营销,还是长剧、综艺、晚会、短剧等多种娱乐内容的不断种草,堪称撒金名场面。

风向直转,站在今年618尾声,去复盘京东淘宝的这一届618娱乐营销,会发现“风停了,无趣了”。

重要电商促销节点,加大娱乐营销的投入,是平台们心照不宣的打法,虽然说今年投入减少、亮点缺失,但在娱乐营销方面的举动,京东与淘宝天猫两位核心玩家还是没有完全停下脚步。

娱乐营销的三件套依旧没有缺席:找明星赚吆喝、定制晚会、长短剧综植入。

有趣的是,淘宝天猫和京东都心照不宣的发起了对于“浪姐”的争夺,这也是以“省”为核心要义的娱乐营销大战里,唯一的亮点了。

先看618的老本家京东,相当“够省”的路线。

首先是明星的“降级”。

相比去年的阵容沈腾、张艺兴、雷佳音、大张伟、李晟等众星化身为京东各个垂类电商的代言人,TVC持续输出,今年京东的挑大旗给到了刘宇宁,铺天盖地在吸附“顶流”流量,除此之外也搭配上了王濛、李小冉、papi酱等当下热点明星。

显然,明星套路方面,京东从追求大众缘走到了饭圈流量与年轻化流量,在这个节点,或许求精准转化更为保险。

其次是打法保守,只为继续让定制化IP转下去。

“青春采销”定制综艺《开播吧!青春采销》第二季,以及京东618夏日歌会,变成了传统项目,持续投入且运营下去,虽然效果并不明显,且投入在收缩,坐阵明星量级下降,但之于京东而言,能握在手里的IP话语权更大、培养属性更强,也更能反哺于京东业务,京东的流量生态需要不断蓄水。

京东过去几年所热爱的短剧营销,也在今年有所收敛。值得一提的是,其尝试了AI短剧,只是步子没迈太大,联动快手上线AI真人定制科幻短剧《来自星星的我们》,核心还是两位流量短剧演员为主,再加上AI技术串联,讲起科幻爱情,且成功实现播放破亿。

再看隔壁的淘宝天猫,今年的618举动更是低调太多。

淘宝闪购撒币暂停之下,由于淘宝天猫坐拥长视频几档王牌综艺,本质上来看,618周期的娱乐流量并不缺失。

全年冠名《你好,星期六》,让淘宝天猫能在整个618大促期间保持一定频率与年轻人群传达信息,除此之外,《开始推理吧4》《种地吧4》等热门综艺也都不缺淘宝天猫的身影。

但相比往年618周期,淘宝天猫独家冠名或者多种身份出现在各大综艺里,今年的淘宝天猫显然收紧钱包了。

不过,变化还是存在。

去年618是“淘宝闪购止咳剧集商业化”,那么,今年则是天猫补血剧集赞助。

从五月中旬到现在的长视频重点剧集,如《家业》《莫离》《雨霖铃》《翘楚》等,皆是天猫的身影,出现在片头、中插与创意广告等各个广告位,不断渲染618氛围,当然,天猫也并没有如当年直接冠名《墨雨云间》并开发衍生短剧的豪气,这些不缺席也只是在维持基本量。

淘宝天猫显然意识到淘宝直播的那一批以李佳琦为代表的流量手们,还是补给了大促基本盘的,而娱乐营销这一波进一步影响用户心智的投放,其实挑几个头部,没有缺位,就足矣了。

总结看来,两位电商霸主仍在618期间消耗着自己的娱乐营销预算,虽然它俩更加精打细算了,但还是会照样在该花的地方留有表示,与此同时,二者也有一些有关“省钱”的营销共通之处。

其一,愈发擅长“薅”他人之法,特别是最贵的明星借势方面。

淘宝天猫的明星荟萃大法今年继续升级。

去年是“天猫618Fun星派对”,而今年直接是“天猫618星光大赏”,但不好意思,这些明星都不是淘宝天猫的代言人,而是参与618阵线的品牌方代言人。

这也是淘宝天猫大促常年复用的成熟营销打法:联动全赛道参战品牌,整合各家自有明星代言资源,集结形成平台级星光矩阵,合力引爆618营销声量。

这一招,今年京东也来试验了。

#京东618明星红包#各路明星纷至沓来,从大促开始到结束,各个品牌代言人集结;“超级明星福利”不断掉落,通过集齐星卡送好礼的方式,让明星矩阵一一出现,更不谈618期间加速出现的如张凌赫、肖战代言品牌的“京东新品日”。

其二,预算只给大热IP的“外溢”,“浪姐”与世界杯的流量成为最佳标的。

娱乐营销效果评估,只有足够爆,才能有保底。

毫无疑问,整个618周期里,最火热和最出圈的内娱IP自然是《乘风2026》。

首次迈入直播语境的“浪姐”显然杀红了眼,不光让消失已久的“选秀味”再度归来,还诞生了如“心愿便利贴”、“你嘴巴多毒我才不在乎”等出圈爆梗,成为全网秀粉与乐子人停不下来的追更对象。

在此之下,没有闯进节目IP赞助体系的淘宝天猫与京东,自然也不会放过这一顶流IP的外溢效应,它俩陆续开始分割“浪姐”里的热度姐姐。

“便利贴”三人组一分为二,这边王濛、李小冉成为了京东的扩音器,淡淡也化身“健康福利官”,那边的唐艺昕则走进了淘宝直播的声量场,除此之外,淘宝天猫还找来了曾沛慈、乌兰图雅站台。

一方面是饭圈效应的直接转化。

相比请顶流而言,正在参赛的姐姐们的饭圈可是更即时,也是相当能打的,曾沛慈便是典型代表。

天猫给足了曾沛慈排面,不光配合曾沛慈的经典作品“终极系列”拍摄了定制款TVC,还在全国超50城铺起了地广,涉及商圈、地铁、机场、影院等多个核心展示区域,甚至还在浪姐公演线下定制了应援车,可谓做足了一切功课来讨取曾沛慈粉丝的欢心,从而增强转化与声量。

效果显而易见。5月27日,曾沛慈作为“天猫618福利大使”做客天猫官方直播间,最终创下2000万成交、场观超100万、互动量达到3500万+,战绩可喜。

另一方面则是借“梗人”意图继续“玩梗”,从而加入到“出圈事件”叙事链路之中。

王濛、李小冉、唐艺昕以及乌兰图雅,都是这样的选择意图。其中,王濛可谓与刘宇宁并驾齐驱成为了这次京东618明星营销的最大牌面,创意TVC拍了一个接着一个,《京喜惊喜歌》也唱了起来,从“冠军速度”再到“舞台C位”“出圈便利贴”都成为了京东联动王濛的话术;而天猫更是请来唐艺昕直接成为“天猫618心愿大使”,remix乌兰图雅,组合成了“心愿大力贴”,玩梗意味十足。

“浪姐”使用率可不光如此,联动世界杯,邀请姐姐来看球、说球,从而聚气618曝光,也成为了两大电商平台共通玩法。

“天猫姐说球”就在6月11日邀请了唐艺昕、乌兰图雅这俩位天猫618观赛大使走进天猫直播间;王濛更是直接坐阵京东看球季开幕……

整合现象级综艺IP与世界杯这一顶级赛事,双流量核心资产之下,头部电商们双IP捆绑入局、进行跨界营销,显然是意图冲破单一流量的天花板,最终实现营销价值的乘数效应。

618终于要落下帷幕了,复盘今年的娱乐营销投入情况,除了“省”之外,能提及的也就是“浪姐效应”了。

不是说电商金主们唯爱“浪姐”,而是要看到娱乐营销背后的底层逻辑还是确定性流量诉求。

“浪姐”hold住了爆款,那么,它就能换来自身与“姐姐”们的商业价值最大化,毕竟经历去年的闪购大战以及当下如火如荼的AI战役,谁都到了无法再给营销这件事不断加码的阶段,追着“浪姐”跑,就是追着绝对爆款的营销确定性跑。

足够平淡的娱乐营销,会不会从这届618延续到年底双11呢?从目前电商发展趋势来看,大概率依旧如此。

毕竟电商平台们早已把AI电商、AI营销不断往前置位排序,动不动就在哑声的娱乐营销如何能与当下不断进化、不断满足用户精准化定制需求的技术创新相比呢?

今年“浪姐”的破局原因,或许也是娱乐营销该找回的“归宿”。直播状态的“浪姐”让一切回归到真实性与真实情感,那么,这几年过度依赖包装精致化、依赖流量化的娱乐营销,是否需要思考早已成为套路的固定动作,该如何去掉“刻意”、拥抱“真实”?

当大众看不到这些N 年如一日的“招牌动作”有何差异,又如何能让买单方笑纳呢?无形之中也在提醒,娱乐营销急需来一场痛快的变革,毕竟最重要的电商大促节点都持续在“省省省”,还停留在原地、创造流量泡沫的娱乐营销,总不能每次幻想着空降一场“大水漫灌”吧。

注:文/壹叔团队,文章来源:壹娱观察(公众号ID:yiyuguancha),本文为作者独立观点,不代表亿邦动力立场。

文章来源:壹娱观察

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